![]() It was heard on the radio, in the street, even in school. Influenced by the electro of Afrika Bambaataa, producers like Amos Larkins II and Maggotron built sparse, punchy beats utilising the now-legendary Roland TR-808 drum machine, while groups like 2 Live Crew added sexually explicit lyrics to get people moving on the dancefloor. As the sound grew in popularity, so did a culture for co-ordinated dancing, and cars souped up with massive soundsystems.įor Jubilee, Miami bass was pretty much “a way of life” growing up. Miami bass itself kicked off in the mid-‘80s. Though she’s lived in New York for almost two decades now, Jubilee has remained a proponent of the classic sounds of her hometown - pushing an eclectic and energetic blend of Miami bass, electro, breaks, dancehall and more via her DJ sets, productions, and ever-popular ‘Magic City’ compilations. ![]() Sometimes a really dirty vocal.” These are the key ingredients of any Miami bass track worth its salt, according to Miami native, Jubilee. ![]() “An 808, heavy sub-bass and a snare that isn't shy.
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